…don’t mean I ain’t been busy!

We’ve been busy behind the scenes at Redhouse finalizing the initial pre-production push on our current project, Jon the Baptist (working title). We’ve been drafting agreements (boring), crunching budget numbers (mega boring), and I’ve been working on the first of several rewrites of the script (hard work…but not boring). Basically, stuff’s been happening.

Our next major push is finalizing the budget and drafting a document called a “prospectus”. This is basically a business plan that will help our investors, donors, and partners to see the big picture and how we plan to accomplish it. Film production is a lot of fun, and it’s also a lot of work. That works takes planning. Planning, planning, planning. This is the meticulous, sometimes tedious part, but it has its own level of fun to it. It’s fun knowing that we’re really doing this; we’re really making this movie.

Once the budget and prospectus are done, we’ll move into initial marketing and fundraising. You can already get involved in helping to finance the film by contacting us. (you know I gotta push that, right?)

It’s exciting. It’s hard work. But it’s a blast. I can’t wait to tell this story. Stay tuned for more details!

Nope. Not going to hash out all of the pros/cons of film or HD here. A quick Google search will yield plenty o’ discussion about that topic. What I am going to do is clarify our position as a production company as to why we’ve elected to work with film for now.

In my humble opinion, both film and video have their purposes. We’ve all even seen narrative features shot on video that look fantastic. I also believe that we will reach a point in the digital world where the two are at least visually indistinguishable. Right now, though, at this point in history, film provides an aesthetic that video, sorry…not even RED, simply cannot duplicate.

However, it’s not just the visuals that matter at this stage in the game:

1. Film provides the legitimacy and sex appeal that video simply doesn’t. Yes, the jig is up. One of our reasons for choosing to work with film for now is to reinforce the idea that even though we’re new to narrative feature film production, we take our work very seriously. Seriously enough to invest the extra time, money, and effort to shoot our projects on film.

2. Film provides an intrinsic discipline to principal photography. Sure, you could tell yourself “We’ll be disciplined. I’ll force it to happen.” But you’d be lying. If you shoot video, what will really happen is you’ll shoot a 20:1 ratio (that’s shooting 20 minutes of footage for every 1 minute of finished product, for you non-filmmaking folks), do way too many takes, and “just keep it rolling” more times than you should. Everything will get sloppy and you’ll add days to principal photog or hours to every day because you just HAD to get 50 options for one scene and more coverage than you need. With film, every single second that camera is running represents very real money. You gotta make every take count.

3. Whether we achieve it or not, theatrical distribution is always our end game. Everyone at Redhouse, myself included, is a movie lover. And not just sitting in our living rooms watching a Netflix DVD movie lovers. We love the tactile experience that is going to a theater. We want our movies to play in those theaters. This is what we will be going for on every project that we do, and let’s face it: if you shoot on video, even HD, then blow up to 35mm, you are facing several challenges…not the least of which is the incredible cost of blowing up to 35mm. Since our goal is a 35mm print, shooting on film is honestly a more economical way to go.

And that, my Friends, is why Redhouse is currently a film shop. Not saying that won’t change someday, but for now, celluloid is our friend.

Doesn’t that cat look happy?

That’s pretty much how I feel after our pre-prod trip to Ohio. Every single person we met with from the Mayor of Coshocton to the director of the local film commission was so positive and welcoming and helpful.

We started our week meeting with Coshocton’s leadership, kicking off with the Mayor and also meeting with the county Sheriff and then some local business leaders. As the week progressed, we met with local theater and art community leaders and a foundation that may also prove to be a valuable relationship.

The thing that strikes me, though, is that every single person we met with was incredibly professional and beyond courteous. Not that I’m surprised that they would be…I suppose one would just expect even a little opposition to such an idea. The contrary is true. Everyone so far has been incredibly supportive and some even excited about this. We’ve even already secured a few donations to the project.

In addition to meeting with people in Ohio, we also conducted a handful of interviews for our available Director of Photography position. We’ve been lucky to meet some incredibly talented and experienced individuals, and every one of them has expressed interest in working with us even with our tiny budget. This decision is not going to be an easy one.

The bottom line is that this trip was more positive and productive than I think any of us as producers expected it to be. We know that this will be a long road with its share of difficulties, but the momentum generated by this past week can’t be denied.

So now we’re on to some script rewrites and various pre-production busy-ness. Remember that you can always contact us if you’d like to be involved in any way.

Yes, I know, I know. I said these would be video from now on. Unfortunately I’m up to my neck in preparations for our upcoming production meeting in Ohio and just don’t have the time to script, shoot, then edit a vlog. It will happen though. Oh yes, it will happen.

The good news is that we’re really close to selecting our Director of Photography. If you’re not involved in film/video production, the Director of Photography (DP) is essentially a camera guy, but he/she is actually so much more. The DP is THE visual artist on the set of a production. He works directly with the Director in developing the look, composing shots, and executing camera moves. If a film looks great, it is often due largely to the efforts of the DP.

Bottom line, this is a crucial member of our production team.

We placed an ad on Craigslist a few weeks ago to get the party started (and it kept getting flagged down for no apparent reason…so I just kept putting it right back up), and we’ve had a ton of qualified guys apply. No gals, incidentally. Where you at, female cinematographers?

Last night, the producers met and we went over the demo reels and resumes of everyone who applied and have narrowed it down to a select few we plan on interviewing next week when in Ohio. Everyone is so talented and the experience is varied. Selecting just one person is going to be difficult. But we really want this to be a great fit all around and who’s to say the other talented people we’re meeting wouldn’t be good for another project down the road?

So I’ll do my best to keep this blog updated and keep you all posted on how this plays out.

So if nobody’s said it already, welcome to our site. It’s new, just like us, so it’s just a baby…but feel free to make yourself at home! I’m Redhouse’s Executive Producer and Director, Dan.

I decided to form this production company a few years ago when discussing the possibility of making our own movie with a few friends, and here we are three years later, actually doing it. It’s surreal actually.

The movie only has a working title: Jon the Baptist. No, it’s not about the character of biblical fame. It’s a story about coming home after being gone for a long time and rediscovering yourself in the process. I’m personally really excited about the story and can’t wait to shoot it!

We’ll be shooting in a small town in Ohio and are on track for a release in the second half of 2010. Currently, we’re in the pre-production stage, and are recruiting our department heads for the shoot. If you’re interested, you can check out our Classifieds section for available positions.

I plan to document the process here on this blog. I know that some people are curious about how a film is made from start to finish, so I’m going to try and track that a bit here; maybe lift the veil on the “magic” of moviemaking…at least a little. The truth is, this is our first time too. So maybe we can learn some stuff together, right?

Please keep checking back on the site. More information about Jon the Baptist (working title) will be available very soon.

Oh, and if you’d like to be involved in the production in any way, you can contact me here. or check out the Participate section of this site. I’d love to hear from you!

If you’ve been visiting Redhouseprod.com over the last week, you may have noticed that it’s changing. Since our launch, we’ve added content, cleaned up the look a bit, and overall tried to give the site a more “complete” feel.

But we’re not done and the changes are gonna keep on comin’. Within the next few weeks, we’re going to be adding a section about our current (and first) project, tentatively titled Jon the Baptist (working title). It’s a coming home/coming of age/coming to grips kinda story set in a small town in rural Ohio. We’re pretty excited about it and we think you will be too.

You should also see guest posts from the four producers, a video blog from the Redhouse director, Dan, and even more content in the About section.

Also, notice that we’ve added a “Donate” page to the site. This isn’t the only way you can be involved with Redhouse or our current project, though. We’ll soon have a section with all the many ways you can partner up with us.

So stick around…visit often…and drop us a line!

Yeah, so, it’s obvious. Let’s just get it out there.

Our site is brand spankin new.

Keep checking back. We just got this puppy up, but we’re filling it up right now.